Auditions

Chagrin Valley Little Theatre depends on volunteer talent for all of its plays each season. Our auditions are open to anyone with an interest in performing in community theater. Age ranges, experience levels and other requirements change from production to production, so keep your eyes on us – you just may be the one we’re looking for!

Auditions are publicized right here on our website, as well as via our mailing list, our Facebook page, our Twitter feed and via Fred Sternfeld’s the Northeast Ohio Performing Arts List (NEohioPAL). You may also find our audition notices in your local newspapers from time to time.

Chagrin Valley Little Theatre is a 501c3 Non-Profit Organization. All actors cast are strictly volunteers. No AEA Contract(s) available.

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Auditions for Pen Pals

by Michael Griffo

The OHIO PREMIERE!

AUDITIONS: Tuesday, July 7 at 7 PM and Wednesday, July 8 at 7 PM

Director: Kate Tonti
Producer: Cindee Catalano (Questions? Email ccatalano@cvlt.org)

  • Seeking two women (ages 50 plus) for Pen Pals
  • Auditions and Performances at CVLT’s River Street Playhouse, 56 River Street Chagrin Falls, OH
  • Performance Dates: August 21, 22, 28, 29 at 7:30 PM and August 23 and 30 at 2:00 PM
  • Rehearsals to begin mid July and will run M-Thurs evenings 7-9.
  • Come prepared to read from the script.

Bernie and Mags live in two different countries. They’ve never met, yet they are best friends because they’ve been pen pals for more than fifty years. Since they were teenagers, they’ve shared every aspect of their lives with each other. The trivial bits, the most intimate details, all the happiness, all the heartache. Even though Bernie lives in New Jersey and Mags is from England, the women are closer to each other than anyone else in the world. Pen Pals is an extraordinary story about the enduring power of friendship and the importance of connection.

Auditions for Ken Ludwig’s Lend Me A Tenor

Directed by Neil Thackaberry

AUDITIONS: July 18 and 19, 1-4 PM

Callbacks July 20th 7:00 to 9:00

PERFORMANCES: September 25 – October 4, 2026 – Fridays/Saturdays 7:30 PM, Sundays 9/27 and 10/4 at 2 PM

Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead – and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli’s costume and fool the audience into thinking he’s Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London’s West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.

Roles:

  • Max
    • Age Range: 20s to early 30s
    • Description: The underdog hero. A strong, legit tenor voice is desirable but not a deal breaker.
  • Tito Merelli
    • Age Range: 30s to 50s
    • Description: A world-famous Italian superstar tenor. A strong, legit tenor voice is desirable but not a deal breaker.
  • Saunders
    • Age Range: 50s to 60s
    • Description: An authoritarian, high-strung, and fiercely pragmatic businessman on the verge of a nervous breakdown.
  • Maggie
    • Age Range: 20s to early 30s
    • Description: A sweet, bright, and slightly naïve ingénue.
  • Maria
    • Suggested Age Range: 30s to 50s
    • Description: A fiercely proud, explosive, and deeply passionate wife.
  • Diana
    • Suggested Age Range: 30s to 40s
    • Description: An ambitious prima donna soprano.
  • Julia
    • Suggested Age Range: 60s to 70s
    • Description: The grand dame of Cleveland society.
  • The Bellhop
    • Suggested Age Range: Any age
    • Description: A cynical, hyperactive star-worshipper.

Auditions for The Lion in Winter

by James Goldman

AUDITIONS: July 26 & 27

  • Director: Don Bernardo
  • Asst. Director: Greta Rothman

Summary

Sibling rivalry, adultery, and dungeons – The Lion in Winter, by James Goldman, is a modern-day classic.
Comedic in tone, dramatic in action – the play tells the story of the Plantagenet family, who are locked
in a free-for-all of competing ambitions to inherit a kingdom. The queen, and wealthiest woman in the
world, Eleanor of Aquitaine, has been kept in prison since raising an army against her husband, King
Henry II. Let out only for holidays, the play centers around the inner conflicts of the royal family as they
fight over both a kingdom and King Henry’s paramour during the Christmas of 1183. As Eleanor says,
“Every family has its ups and downs,” and this royal family is no exception.

This is a great small-ensemble show, with many plot twists and turns – almost a “medieval murder
mystery” without the “murder.”

This intimate production will be presented in CVLT’s River Street Playhouse, a 50-60 seat “black box”
theatre adjacent to Chagrin Valley Little Theatre.

History

The Lion in Winter premiered at the Ambassador Theatre in New York City on March 3, 1966. Directed
by Noel Willman, the production featured Dennis Cooney, Suzanne Grossman, Rosemary Harris, Robert
Preston, James Rado, Bruce Scott and Christopher Walken. A revival premiered at Criterion Center Stage
Right on March 11, 1999. Directed by Michael Mayer, this production starred Laurence Fishburne as
Henry II and Stockard Channing as Eleanor, who would win a Tony Award for her portrayal.

Audition Dates and Location

  • Sunday, July 26, 7pm to 10pm
  • Monday, July 27, 7pm to 10pm
  • CVLT Main Stage, 40 River Street Chagrin Falls
  • Please note that video auditions are not being accepted for this production.

Production Dates

  • First Read-Through: Sunday, September 13
  • Rehearsals: Sunday thru Thursday evenings (generally 7pm to 9:30) starting Sunday, September
    13
  • Performances: Friday, October 30, 7:30pm
  • Sunday, November 1, 2pm (note: no Sat. performance first week)
  • Friday, November 6, 7:30pm
  • Saturday, November 7, 7:30pm
  • Sunday, November 8, 2pm closing matinee

Audition Requirements

No preparation necessary. Audition will consist of cold readings from the script.

Casting Information – Available Roles

The play is set in a fictional Christmas court of Henry II, King of England, at his castle in Chinon (France)
in 1183.

Casting 1 woman and four men.
Please note that the roles of HENRY and ELEANOR have already been
cast.

  • Alais Capet
    Female, Age Range: can play 20-30 (the character as written is 23)
    The sister of Philip Capet, Alais is of the royal blood of France and would thus, through a
    contracted marriage with Richard, ally the two strong countries of France and England. She was
    raised as a child by Eleanor, and is the mistress of Henry. She is no less a pawn in the
    machinations of Henry and Eleanor than are their sons.
  • John
    Male, Age Range: can play 16-20
    The youngest of the three sons of Henry and Eleanor, John is described as pimply and an
    immature boy. He is, however, his father’s choice for the crown, and he uses this knowledge in
    taunting his two brothers.
  • Geoffrey
    Male, Age Range: 20-30
    The middle son of Henry and Eleanor, Geoffrey has no one fighting for his right to any throne,
    and he usually accepts his fate, but his does rankle him that he usually is not considered—in any
    matters of the heart or family. He is described as the most cerebral of the three boys.
  • Richard
    Male, Age Range: can play 25-35
    The oldest of the three sons of Henry and Eleanor, Richard in later life becomes known as Richard
    the Lion Heart. He is his mother’s choice for the next king, and is the best warrior of the three
    sons. He expects to inherit the crown from the aging Henry, who has not yet declared his heir.
    This provides one of the central conflicts of he play.
  • Philip Capet
    Male, Age Range 20-35
    The king of France, Philip is the brother of Alais. He is young, but has already become a strong
    monarch, although no match for Henry. His desire is to marry Alais to Richard and have Richard
    crowned king, thus cementing a relationship between the two countries.

Questions: Please email the director at donbernardo@sbcglobal.net

Auditions for Deathtrap

by Ira Levin

Directed by Chris Bizub

AUDITIONS:
Sunday, October 11th from 7:00pm to 10:00pm
Monday, October 12th from 7:00pm to 10:00pm

CALLBACKS:
Callbacks will be Wednesday, October 14th from 7:00 PM to 10:00 PM

PERFORMANCES:

January 22nd, 2027 – February 7th, 2027
Fridays & Saturdays at 7:30 PM
Sundays at 2:00 PM

REHEARSALS:

Rehearsals will take place Sundays thru Thursday from 7:00pm to 10:00pm. Rehearsals begin November 15th.

CLICK HERE TO SIGN UP FOR A GROUP AUDITION SLOT

WHAT TO PREPARE:

  • Actors should bring a headshot or recent picture, and resume (if you have one)
  • A list of conflicts from November 15th to February 7th
  • Auditions will consist of readings from the script

SYNOPSIS:

In Ira Levin’s classic comedic thriller, Deathtrap, a washed-up playwright finds a chance to rise to the top once more, a shot he’d be willing to kill for. Sidney Bruhl hasn’t written a hit play for 18 years when he receives a script from a former student, Clifford Anderson, that’s a guaranteed success. His wife, Myra, suggests the two men could collaborate; Sidney jokes that it’d be just as easy to murder the young man and steal the script for his own. When Clifford arrives later that evening, no one–not even the visiting psychic–could predict where the dark events of the night will go.

Roles:

Any age, race, ethnicity, national origin, gender, body type, abilities, or other identities are encouraged to audition and will be considered equally in character casting, unless directly specified by the playwright as integral to their story. Age/age ranges, genders, and descriptions, if listed, are recommendations by the script but are flexible to interpretation. No roles for this production have been precast unless otherwise stated in marketing announcements regarding the auditions.

  • SIDNEY BRUHL (Male Presenting. Mid 40s-60s) – A once acclaimed author fallen victim to a recent creative drought. He’s usually the smartest and most charming one in the room and wants to make sure everyone else in the room knows it. Sidney is extremely ambitious and will do almost anything to get what he wants, no matter who might be in his way.
  • CLIFFORD ANDERSON (Male Presenting. 20s-30s) – An attractive and talented young writer with a bright future ahead of him. He’s usually the smartest and most charming one in the room but is fine with biding his time to let people find that out. He is extremely clever and can easily slip on fronts of innocence and naivety that belies some of his darker ambitions.
  • MYRA BRUHL (Female Presenting. Mid 40s to 60s) – Sidney’s loving and supportive wife. She is a kind and calming presence during some of Sidney’s stormier moods. Her soft exterior will give way to a much firmer attitude when she needs to get Sidney off of some of his more unhealthy notions.
  • HELGA TEN DORP (Female Presenting. 30+. Has a Dutch accent.*) – Celebrity Psychic who loves every minute of her fame. She is free spirited, and not easily intimidated. *Actors auditioning for Helga are encouraged to attempt her accent in their audition, but are not required to if not comfortable.*
  • PORTER MILGRIM ( Male Presenting. 30+.) Sidney’s friend and attorney. Very sharp and observant of his surroundings. Isn’t sure he trusts Clifford.

If you have any questions or would like to audition for this production, but are unable to attend regular auditions, please contact the director at bizchris85@gmail.com feel free to reach out with any questions you may have regarding the production.